
Some of you know how extraordinarily busy I’ve been the past few months--I was working seven days a week at two different jobs. One of those is, of course, my tour guide gig at Stone, and the other was a temporary project downtown. I haven’t had a downtown job in years, and I reveled in the vibrant craziness that inhabits the heart of our sprawling city. I enjoyed taking the bus downtown, and I loved the diverse thrumming street life that I witnessed every day. I will really miss those parts of the job. I will miss buying tea from the little coffee cart owned by Ryan, the friendliest human on earth. I will miss looking up at the scrolls and brickwork of the early 20th Century architecture. I will miss watching the pigeons nesting in the now-defunct Spreckels sign on the side of the building next to our office window. I may even miss the disturbing ventriloquist lady who parked her wheelchair on the corner every day hoping to garner change with her scary puppet-child...
The job was part II of the archaeology project I was working on last July--the first phase was the excavation of a significant site next the Mexican border, and in the office we had the monumental task before us of sorting and cataloguing our way through hundreds of boxes of artifacts; particularly a lot of shell. What I did nearly every day was sit at a large table cleaning the dirt off thousands of pieces of marine shell and sorting them according to species. This was a daunting task due to the sheer volume of shell, but also because many of the pieces were smaller than my pinkie fingernail--and I have small hands!

The company I was working for has made a temporary lab space out of an office in the Spreckels building on Broadway. For those of you who have not been lucky enough to view this fine edifice that graces our downtown landscape, here’s a very brief history of the building: it was built in 1912 to commemorate the opening of the Panama Canal, as well as the Panama-California Exposition that took place in San Diego in 1915. It houses a grandiose theater and four floors of office spaces. My favorite historical tidbit is that the theater contains exactly 1,915 seats in honor of above-mentioned year. The building is a lavish cacophony of marble, gilded moldings, Deco light fixtures, numerous marble staircases, intricate tilework, and ornate iron banisters.
I absolutely loved working there. Every day I got to walk into the sprawling marble

and tile lobby with its over-the-top baroque moldings I just had to smile and sigh in awe. As far as I can tell, almost 100 % of the interior is still original. The office doors still have their original doorknobs and mail slots and those neat glass transom windows above the top lintel. Even the bathrooms are havens of bright and airy marble and tile. The office

windows are huge double hung wooden windows with no screens, and they take up almost the entire wall, beginning only a foot off the floor and nearly touching the ceiling. Truthfully, I’m amazed that in this age of litigation madness and catering to stupidity, these windows haven't been bolted shut to prevent people from falling out. I’m so very glad that they haven’t been; during much-needed breaks to rest my eyes, I loved going to the window and leaning as far out as I safely could and watching the activity six floors below.
There is one secret wing of this building that spooks me, however.

Check out the disturbing resemblance between this remodeled hallway on the 6th floor of the Spreckels building and one of the creepy hallways from the hotel in The Shining. The first one is the Spreckels; the pic with Danny in it is from the movie. Different carpeting, but dang!! Makes you shiver, doesn’t it? It looks a million times more spooky in person, too. I have gotten in the habit of averting my eyes every time I have to use the womens’ room--which is located at the other end of that very hallway, of course.